ONE8 · Feature reference
A clear map of the major systems — Filter / Morph, Modulators, Matrix, Macros, Sonic Control, Gain Stage, and SAFE output — and what each one does.
Core engine
The systems that turn a static sound into a phrase.
Build the tone path from active filter states, model choices, banks, analyzer feedback, and morph controls.
Create movement with envelope shapes, periodic LFOs, sidechain followers, trigger rules, scenes, and processors.
Connect movement sources to destinations with visible depth, curve, range, slew, and route behaviour.
Bring complex patches back to a few musical handles for automation, MIDI control, and performance gestures.
Movement sources
Draw a phrase, follow audio energy, trigger from thresholds, combine sources, or store scene values.
Attack, decay, sustain, release, trigger mode, and clock options cover note-like movement and classic synth shapes.
Attack, release, high-pass, low-pass, peak mode, and threshold turn signal energy into routable control.
Trigger rules react to ranges and crossings, then output useful signals for matrix routes.
PROC sources derive new signals from upstream modulators; scene pages store performable target values.
Custom motion
The movement editor lets you draw, stamp, skew, and reset modulation shapes across performer pages — for when a preset LFO is close, but not quite the phrase.
Finishing tools
Target up to three bands, choose the detector input, listen to the band, and shape response details.
Soft Clip and other modes with low and mid/high shaping, before/after displays, and bass enhancement.
Vector and image tools widen or rebalance the animated sound while keeping stereo choices visible.
Input/output trim, limiter, ARC, ceiling, release, loudness match, and clipping keep the final level honest.
Next
The documentation covers exact controls; the tour walks the workflow end to end.
